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certaininequities
Norman Osborn's exhibit is an open-plan, hands-on one, set up like a laboratory. The chamber at the center is open, and allows people to go inside, and the four computer stations are interactive.
Along with a simple first aid kit and a cardiovascular crash cart, the first station has digital versions of project files, but these have all been heavily redacted, beyond the Oscorp Industries logo and the words "performance enhancers", "government contract proposal", and "rival Quest Aerospace". The file labeled "First Test Results" is less redacted and shows the result of testing on rats, which became highly aggressive. The word 'insane' may come up once or twice. The bottom of that file has a large note scrawled on it in red pen:
The second station isn't for science, but microfiche: it runs through scans of articles from a newspaper called The Daily Bugle. There are two of note: one about the history of Oscorp Industries and its founder, and the other concerning the grisly fate of its board of directors. There's also a coffee mug at hand with an MIT logo, half on top of a post-it which reads "Send Jonah More Cubans" in neat block handwriting.
The third and fourth stations are biological monitors. There is a rack of glass tubes next to them, each full of a green liquid and labeled in white: CX-00000009. The monitors show a scan of a human arm with several statistics lined up alongside it, and an EKG:
If a visitor chooses to step into the glass chamber at the center of the exhibit, the door will slide shut. It will become chilly inside the chamber, and the bio-monitors will leap to life. A hissing sound will herald the arrival of a cloud of bright green smoke. The visitor will still be able to breathe, but speakers around the rim of the chamber will play the following audio (minus Danny Elfman score, sadly):
Once the audio ends, the smoke will clear, the chamber door will open, and the lights will shift to project the illusion of shattered glass and bloodstains. The visitor will then be able to exit the exhibit with just a little more trauma than they had when they went in...
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